There are approximately twenty type of Jordanian Dabke. And musical instruments associated with this Dabkeh: clarinet, Almjos, Alergol, bagpipes, drum and sometimes lute.
Dabke applicant rope: It Dabkeh of different types, which stand out men and women shared succession.
Dabke Alkradah: also called volatile and characterized by rapid Baahalla in open loop where participants Dabka moves from left to right.
Dabke Altsaaoah: Dabka Mu'ayanah known as one of the most beautiful and Jordan Dabkeh Ttbek to the tune of Almjos or clarinet or bagpipes.
Regular Dabke: also called Dabke Aldlona They accommodate all converged tunes rhythms and melodies private Aldlona slow ones, fast and Ttbek to the tune of Almjos or Alergol and clarinet to a lesser extent, a hexagonal.
Dabke Sha'rawiya: Kaltbekh is normal except that her move faster and closer to a jump accommodate all the melodies and often to the tune of Ttbek Alergol.
Dabke Alderazi: Ttbek with clasped hands with a fast rhythm and Ttbek to the tune of Almjos.
North Dabke: It is the most famous Jordanian Dabkeh. Movement begins also left foot and left hand ends and characterized by rapid and Baahalla Ttbek to the tune of Almjos and less on the tunes Alergol.
Dabke groundwater: It depends on the parking Aldbekh form two rows facing one another on the first row and sing the second given by the Jordanian folkloric songs and often sings the first grade the first part is provided by the second row second busy market
Military Dabke: be networked hands over the shoulders to form a closed circuit or open and rarely involving women because they are stressful. Own way based on the exchange Altbek man right onto the right and the left, to the left, which are four-fighting and preparing the fourth lift right leg to the right and the left to the left.
Dabke Ghawarina: also called Btbekh Deir Alla. Hands are networked over the shoulders and features high-speed multiple movements.
Dabke one text: jumps Aldbekh simple leap and beating out the two men and one of them messing up a simple right-footed and then north to the shape of the legs become the messiest one.
Dabke Abu Alandah: Aldbekh five jumps leaps light and movement of the right hand and the movement in the north and then one and a half traffic.
Dabke Alakbawih: They own the people of Aqaba Boogie
Dabke Alrmthawayh: be Aldbekh row one except the two go out for class and dancing on their own.
Dabke sporadic: and carried out by the groom's mother during weddings or in the evening warbler, before entering the couple to their home, where carrying in her hand paste paste bride when entering the new home. Or carried out by the arrival of the bride when the groom and his family and this condition is called dance of the bride.
Collective Dabke: be by relatives of the bride or groom at weddings and be shared by the popular folk instruments and uniforms to be full before the wedding day in what is known Baltalilh and henna.
Dabke abrasion: and be in the form of verses opera combined with consistent movements there have several movements of certain performance Depending on the melody and rhyme, and these movements stand together and sit down midway through the second grade and bending the back and sitting cross-legged with clapping hands and administration faces left and right, and the movement of the head, as someone probably more standing in front of them to participate with them in all movements, performance and consistent home with the movement in line with the meaning and pronunciation sound, and the sound has several degrees of slow, middle, and high and another type called traction (tide), as they are exciting for the same spirited and encouraging movements. Participants may meet in two rows face to face stands in the center of the circle around him and poet Kawal participants.
Dabke Aldhah: The Aldhah type of abrasion is a men large ring and behind the spectators were women and children, and are abrasion at the beginning tepid badly bit by bit, where the Aldbekh description organized long or circular or in open-ended fund, and begin regular applause salary with shaking shoulder Emenp and right tilt of hands, and with every blow of palm right to stop the North regularly voice comes out of the mouth of every one of the men "abrasion" repeating the word "Dha Yobe Dahyah" and collectively. And it protects the heat of this Aldhah If you enter one of the women disguised face "Mtltmh Basaptha" wearing a shawl or cloak sword in her hand or stick to dance in front of everyone, and excite them enthusiasm to the rhythm of Aldhah and off shouts and joy and bullets with joy and jubilation balti dancing in front of them and said to have a "footnote" has dared someone and have a bottle of them and come down in front of the crowd for the dancer Vtthin opportunity she dances to take from his sensible, it is done it or been able Vtkon prevail in this debate of the dance, and rises above the voice of the fans and the start bullets increase in joy and happiness, as well as joy and permeates this abrasion tell the whole point Bedouin by a conservers, where the poem begins beta beta dialect echoing her several times, and at the end of each time repeating a number of neighboring men to him in class, (HLA your Hla Loya Hla Mar you are honest, boy) or (HLA your Hla Loya Hla Leah Hanif was born O) or (Hla Hla your Mhli Loya Loya Rhett Azuelk "imagination" what Yuli)
Sword Dance footnote: The footnote is a girl know how to dance to dance down the Asheijh footnote which is mandated for the people of the wedding. As required poem that sings while dancing to be (your Hla Hla Hla Loya Mar you are honest, boy) or (HLA your Hla Hla Loya Leah Hanif, boy) or (Hla Hla your Mhli Loya Loya Rhett Azuelk what Yuli).
Clarifications
Liquidity: is a movement to be during the Dabke where Alloih out or Ruwais fast Bagafz with a variety of movements.
Alkrjh: is a movement to be during the Dabke, where usually Ttbek during gait and singer singing while the music section.
Other types
Dabke Aldhah It is spread when a Bedouin of their own, and where Tzhajat issued Vote others may not understand. Where to line up the men in a row and they are singing a few sentences on the same vein In contrast, there is a woman dressed in uniforms Badawi and Mmelttmh do not even see the men and said to them (the camel) .tqom this topic women's draw a line on the ground Momah them that they should not single Hedda crossed the line a a metaphor for the honor and display this topic of women and continue to knead the camel to go out and (Budaiya), a man my father advancing line of men and respondents to what he said.
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